The Best Black Super Bowl Halftime Performances of the Modern Era, Ranked

So you had the game in New Orleans and instead of giving “The Godfather of Soul” James Brown the stage for the entire 13 minutes, you made us sit through the “Blues Brothers Bash” with ZZ Top, Dan Akroyd, Jim Belushi and John Goodman? Seriously, whose idea was this?

Diana is in full diva mode in this 1996 tribute to 30 years of the Super Bowl. She performs classics like “Baby Love,” “Reach Out and Touch Somebody’s Hand,” and of course, “Ain’t No Mountain High Enough.” Then, like any true “Boss,” she leaves the stadium in a helicopter.

The musical genius and dance legend performed alongside Gloria Estefan and Big Bad Voodoo Daddy in what was called a “Celebration of Soul, Salsa and Swing.” This basically felt like two different shows crammed together in a weird mash up. They should’ve just let Stevie do his thing.

We always have time for the fun nostalgia of a Motown tribute, but honestly, this felt out of place at the biggest football game of the year. It was like something you would see at an award show, not the Super Bowl. And why are Boyz II Men slowing things down with “Mama” in the middle of the game?

Sure, the group brought all the bells and whistles that come with a Super Bowl performance, but this basically felt like what you would get from any other live Black Eyed Peas show. It didn’t feel special.

In 2014, Bruno Mars was coming off the success of his Unorthodox Jukebox album, and in the thick of constant comparisons to Prince. He was clearly on the verge of superstardom and the Super Bowl jumped on it early. He’s amazing in this performance, giving hints of the entertainer he would become, but he’s also clearly not quite at the 24K Magic, Silk Sonic levels of his power yet.

Yes, technically Coldplay were the headliners here, but even the band’s frontman, Chris Martin, will admit that they were absolutely overshadowed by the one-two punch of Bruno performing his monster hit “Uptown Funk” and Beyonce getting everyone in “Formation.” Notice how Martin just hands over the stage because he knows he’s been beat.

Since Super Bowl 56 was in Los Angeles, it just felt right that there was so much “California Love” in this halftime show. Normally, these multi-act sets don’t work as well as having one headliner, but everyone got a chance to shine. That being said, I’m gonna need them to bring Mary back for a solo set.

There were a lot of questions about how The Weeknd’s eclectic artistry would fit into the Super Bowl Halftime constraints. Turns out, he’s the kind of larger than life performer this stage is made for. His memorable set opened the eyes of millions of new fans. Dammit, now “Blinding Lights” is stuck in my head again.

This set was a love letter to Rih’s Navy, as she ran through an impressive number of her hits. Sorry Ye, “All of the Lights” is officially hers now. Plus, the Barbadian billionaire deserves a medal for navigating those floating stages while pregnant with her second child.

The huge stage of the Super Bowl Halftime Show is tailor made for Beyonce. Let’s be honest, they could bring her back every year, making it a Queen Bey Super Bowl residency and we’d all be perfectly OK with that.

MJ is the one who revolutionized the Super Bowl Halftime Show. Before he took over the game in 1993, they were putting on ice shows with Peanuts characters. Then Michael came along and literally stole the show from the Super Bowl, once again changing the scope of entertainment.

It’s official, Prince could control the weather. Yes, he delivered all the classics, subtly shaded the Foo Fighters by performing their song, “Best of You,” better than them and brought out the Florida A&M marching band, but it’s really about that finale. Nothing any headliner does will be better than Prince belting out “Purple Rain” in the pouring rain!