Does anyone remember the moaning and gnashing of teeth when Barack Obama was elected president? Not from defeated Republicans but from professional comedians, saddened when George W. Bush—and the comedic gold mine that was his presidency—took that last helicopter ride out of D.C.
They worried that it would be difficult to make fun of the smart, self-aware new guy in office who also happened to be black. To confirm that this was a serious and concerning question, the New York Times weighed in: “What’s funny, and what’s fair game, about a President Barack Obama? Is it too soon to start ridiculing his achievement? Can blacks make fun of him? Can whites?”
That worry, it seems, was in vain. Just as journalists anxious to prove their bona fides shortened the presidential honeymoon with tough questions for Obama and his press secretary, comedians—who traffic in irreverence—want audiences to know they are equal-opportunity offenders.
After a series of tax-challenged cabinet picks, J. Anthony Brown, a regular on the “Tom Joyner Morning show,” let loose on Obama at a recent show in Dallas. Nobody was more surprised about our new black president than the man himself, Brown told a laughing audience. “He really doesn’t know what he’s doing. He never thought he would win.”
When Obama was announcing his cabinet, said Brown of the B-balling president, “it sounded like he was doing the starting five for the Chicago Bulls.”
Comedians, black and white, have gone after Obama’s ears, his treasury secretary, Michelle’s hair and, from the vacation beach shots, Obama’s presidential buffness.
Comedian Kym Whitley says that she now has an opening line for any cute white guy she wants to approach.
“You want to make a Barack baby?”
Still, both comics and crowds are feeling their way through the laugh lines. Kim Coles just cannot bring herself to make jokes about Barack. “I don’t find him funny,” she said. The country “needs him to do his thing. I don’t need to laugh at him right now. I’d rather be laughing about how we made a comeback … about everybody’s bank account being so full it’s busting.”
She thinks it’s “cute,” not funny, the way Obama pauses when answering questions. “He’s just thinking before he talks.” And it’s good for black women to see him with the first lady, she said. “He looks at her as if she’s um-um yummy.”
Coles won’t even make a joke about Michelle Obama’s hair: “This is the first black first lady we’ve had. She’s got to keep her perm going,” Coles says protectively.
But Whitley feels no such constraints: “She gets her hair pressed and holds that ear,” she said of Michelle Obama. “She knows she’s a black woman.” Anything goes, she says, “as long as it’s funny—don’t be bringing up chicken and watermelons.”
The key, said Whitley and others, will be for Obama to make a real blunder, or at least trip getting out of the helicopter. “It’s hard to make jokes about someone you hold up high,” she said. But she remains hopeful, adding: “I give it three months.”
Perhaps the hardest thing is to make the jokes smart. It’s a heckuva lot easier to make fun of someone you think is a buffoon. Now there’s added pressure for the jokes to be as smart as the new guy. Until, of course, he slips on a banana peel.
Mary C. Curtis is a writer and editor based in Charlotte, N.C. She has been a columnist or editor at The Charlotte Observer, The New York Times, The Baltimore Sun and the Associated Press. Curtis, a 2006 Nieman Fellow, blogs for the Nieman Watchdog site.
Mary C. Curtis is a Roll Call columnist and contributor to NPR and NBCBLK. She has worked at the New York Times, the Baltimore Sun, the Charlotte Observer and Politics Daily and as a contributor to the Washington Post. She is a senior facilitator for the OpEd Project at Cornell and Yale universities. Follow her on Twitter.